Conservation Projects
![The Grandmasters' Palace](https://static.wixstatic.com/media/81e788_00d4322da9544696ba66f46095786995~mv2.jpg/v1/fill/w_980,h_654,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/81e788_00d4322da9544696ba66f46095786995~mv2.jpg)
Documentation, surface cleaning, consolidation, re-adhesion and final integration of the painted corridors at The Grandmasters' Palace in Valletta
![Lazzaro Pisani Pendentives Siggiewi](https://static.wixstatic.com/media/81e788_bacfd46d1730485fa98717b4ae08907f~mv2.jpg/v1/fill/w_980,h_654,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/81e788_bacfd46d1730485fa98717b4ae08907f~mv2.jpg)
Full Conservation. Infrared reflectography reveals the pencil grid under the paint layer which was used by the artist for enlarging and transferring abbozzi onto the large canvases
![Sundial Casino Maltese Valletta](https://static.wixstatic.com/media/81e788_f6259e18a9aa4f42b7047d1eca151384~mv2.jpg/v1/fill/w_980,h_654,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/81e788_f6259e18a9aa4f42b7047d1eca151384~mv2.jpg)
Documentation, disinfestation, consolidation and inpainting of the sun dial at the Casino Maltese in Valletta
![19th century - Wall Paintings](https://static.wixstatic.com/media/81e788_c172a4c5b5e9441fbd60bc542486ea40~mv2.jpg/v1/fill/w_980,h_749,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/81e788_c172a4c5b5e9441fbd60bc542486ea40~mv2.jpg)
Documentation, cleaning, consolidation, re-adhesion and final integration of the wall paintings by Giuseppe Cali at the Church of Our Lady of Porto Salvo Valletta (2016)
![20th century - Wall Paintings](https://static.wixstatic.com/media/81e788_1b8ad53332854b7cb91e47e0ec494d79.jpg/v1/fill/w_940,h_760,al_c,q_85,enc_avif,quality_auto/81e788_1b8ad53332854b7cb91e47e0ec494d79.jpg)
Documentation, cleaning, consolidation, re-adhesion and final integration of the marouflage paintings by Lazzaro Pisani at the Dome of the Siggiewi Parish Church (2014)
![18th century - Oil on Canvas](https://static.wixstatic.com/media/81e788_b6af96de40ac4bb5af03bf58e911eb8c.jpg/v1/fill/w_940,h_760,al_c,q_85,enc_avif,quality_auto/81e788_b6af96de40ac4bb5af03bf58e911eb8c.jpg)
Documentation, cleaning and final integration
![17th century - Polychromed Wood](https://static.wixstatic.com/media/81e788_fb173fd38f2445dfaa4977da2e5f0521.jpg/v1/fill/w_940,h_760,al_c,q_85,enc_avif,quality_auto/81e788_fb173fd38f2445dfaa4977da2e5f0521.jpg)
Documentation, disinfestation, cleaning and final integration of the titular statue of St Domenic at the Parish Church Our Lady of Porto Salvo in Valletta (2006)
![17th century - Oil on Canvas](https://static.wixstatic.com/media/81e788_9fd79c8241cf48b6861c9ccd6daf6e2a.jpg/v1/fill/w_940,h_760,al_c,q_85,enc_avif,quality_auto/81e788_9fd79c8241cf48b6861c9ccd6daf6e2a.jpg)
Documentation, relining, cleaning and final integration of "Virgil" by Mattia Preti
![The Dome of the Chapel of Aragon](https://static.wixstatic.com/media/81e788_53e87e86571041af98f2006a2f1b4d65.jpg/v1/fill/w_940,h_760,al_c,q_85,enc_avif,quality_auto/81e788_53e87e86571041af98f2006a2f1b4d65.jpg)
The dome of the chapel of the Langue of Aragon, Catalonia and Navarre. Detail of areas damaged by salts prior and during conservation - St John's Co Cathedral - Valletta Malta (2008)
![17th century Gilt Organ Cases](https://static.wixstatic.com/media/81e788_b5eb6bf6c7e04ebfa37057406bd4e50e.jpg/v1/fill/w_940,h_760,al_c,q_85,enc_avif,quality_auto/81e788_b5eb6bf6c7e04ebfa37057406bd4e50e.jpg)
Cleaning, disinfestation, consolidation of the wooden fabric and upper layers, and reintegration of the wood, gilt and painted elements. St John's Co- Cathedral - Valletta Malta (2007)
My academic specialisation lies in the conservation and restoration of paintings and painted surfaces. In 2004, I co-founded a restoration cooperative. In 2012 I decided to take the huge step of resigning my directorship to pursue my career as an independent conservator and conservation consultant. Today I head of team of conservators and conservation assistants. My projects range from the conservation of easel paintings and polychromed objects at the conservation laboratory, to larger in situ projects as the conservation of polychromed sculptures, and on site projects as the conservation of wall paintings in churches and historical buildings.